“Expulsion”, a new work from Heidi Duckler and Collage Dance Theatre will activate a vacant lot in Cambodia Town. Based on the themes of immigration and displacement, this cross-disciplinary site performance will explore the temporary, often fragile nature of “home.”

So I don’t want to spoil it for you but it’s definitely going to be something new and different if you’re expecting a traditional performance from KAA. Part of the collaboration between the Collage Dance Theatre and KAA was meant to push both groups to their creative boundaries as both groups had to be able to adapt to and create a new performance to fit not only fit the theme of Expulsion, but location and setting as well. So while you’ll probably recognize a lot of what’s taken from traditional Classical Cambodian Dance, this performance features new choreography that was created exclusively for Expulsion. I should also say that the new dance combined with the acrobatic performance of the Collage Dance Theatre should definitely keep you entertained. But that’s enough for me, on to the photos!

Anyways I hope you enjoyed that little sneak peak. If you want to see the rest of the performance in full you’ll have to show up to that nondescript vacant dirt lot on either March 19th or March 20th at 6 pm. For more information about Expulsion or the Collage Dance Theatre you can visit their site here or just take a look below.

Date: March 19th and 20th, 2011.
Time: 6:00 pm.
Location: 1546 E. Anaheim Street, Long Beach, CA 90813. At the intersection of Anaheim and Walnut across from Mark Twain Library.

“The monkey general Hanuman was a very close aid of the Prince. When the Prince’s lovely wife Sita was kidnapped and taken prisoner, the Prince asked Hanuman to help him rescue her. Hanuman didn’t hesitate. He called the monkey army together and devised a plan. First they would construct a bridge across the ocean. Then they would cross waters to the land where the Princess was being held, fight off her captors, and bring her safely home. One-by-one, the monkeys started lifting heavy boulders, and placing them on the sea. They would heave one huge stone after the other, and put them all down close together to form a causeway. But, as they were working, they noticed something strange. After struggling to move a big stone into place, the monkeys turned around to get another boulder. When they returned with the next stone, the one they had just left had disappeared. This happened again and again, until, finally, they went to inform Hanuman, their leader.”

-As retold by Toni Shapiro from The Mario Einaudi Center for International Studies Website

So if you’ll recall from my last entry, the Art’s Council of Long Beach asked The Coral Youth Institute to produce a commercial for use as a promotional tool for The Khmer Arts Academy in Long Beach, CA to encourage the Cambodian Youth of Long Beach to learn more about their culture. The first part of the shoot covered the story of Moni Mekhala and Ream Eyso, which was the subject of my previous entry here. The second part of the shoot was a simple taped interview session of several of the students in full costume. And once again, since getting the kids dressed up for the shoot was a major undertaking, several of the parents from KAA wanted me to capture some portraits of the kids once the commercial filming was done. So here’s a few shots from the shoot. Enjoy!

Btw, if you would like to find out how the story of Hanuman and Sovann Macha ends, you can visit The Mario Einaudi Center for International Studies Website here for another rendition retold by Toni Shapiro.

“There is a Cambodian legend that, once, a long time ago, there lived a goddess and a giant who were studying with the same teacher. A wise and powerful hermit who lived deep in the forest, the teacher possessed a magic ball, which he wanted to present to one of his devoted students. However, it was difficult for him to judge which of his star pupils, the goddess Moni Mekhala or the giant Ream Eyso, both of whom were just completing their studies with him, was more deserving of the ball. He decided to offer his pupils a challenge: The two were told to collect the morning dew. The first of them to present the hermit with a glassful of this liquid would be the winner. And the winner would receive the magic ball.”

-As retold by Toni Shapiro from The Mario Einaudi Center for International Studies Website

So a few weeks ago the Art’s Council of Long Beach asked The Coral Youth Institute to produce a commercial for use as a promotional tool for The Khmer Arts Academy in Long Beach, CA. The commercial is being made in an attempt to encourage Cambodian youth, both male and female, throughout the Southern California region to learn more about their culture and tradition through the long standing art of Cambodian Classical Dance. At the same time, several of the parents from KAA wanted me to capture some portraits for them after the commercial filming was done since that was one of the few times outside of a performance in which the kids would be dressed up in full costume. And just as an FYI, it takes multiple dressers an average of an hour to literally sew one dancer into one of the costumes that you’ll typically see on my blog, gallery, and site in general. And when I mean sew, the dressers actually do sew the dancers into costume just as it has been done since the very beginning of Cambodian Classical Dance during the Angkor period. So since getting the girls dressed up for the shoot was a major undertaking, it only makes sense to kill two birds with one stone as the old saying goes. But that’s enough from me for now so enjoy the photos!

Oh and one last thing before you go. If you’re interested in reading more about the story of Moni Mekhala and Ream Eyso you can visit The Mario Einaudi Center for International Studies Website here for a rendition as retold by Toni Shapiro. And for more pictures of the actual dance shot live during a performance by Khmer Arts Academy you can visit my Moni Mekhala and Ream Eyso gallery here.

So here it is, the final version of “A California Sunset”. Enjoy!

The difference in colors that you see between the two photos is because of the setting sun and this time frame difference. This gave photo # 2 a more saturated and vivid look with it’s colors whereas photo # 1 has a more pastel/water color look to it. I should also mention that the foreground in photo # 2 is brighter and has more detail compared to photo # 1 because someone had setup an automatic flood light in their back yard that acted as a really good fill light for the foreground in photo # 2. You might also notice that the framing is slightly different as I had zoomed in a bit more in photo # 2 while I was trying different compositions.

Personally I like them both equally; however I can only pick one for my upcoming press photo book and will most likely only pick one out of the two to frame and place on the market for sale. So which do you prefer?

]]> http://www.sojournfoto.com/2009/09/a-california-sunset/feed/ 4 http://www.sojournfoto.com/2009/08/welcome-to-the-new-sojourn-foto/ http://www.sojournfoto.com/2009/08/welcome-to-the-new-sojourn-foto/#comments Fri, 07 Aug 2009 09:38:46 +0000 Kimsua http://www.sojournfoto.com/?p=9 Welcome to the new Sojourn Foto everyone! As you may last recall, I hinted towards a major change coming your way and here it finally is!

Ok now that we’ve got the big announcement out of the way, I’m sure some of you are wondering what the real changes are aside from a new look. First of all Sojourn Foto has gone to a blog only site versus the old flash site that we used to run. I decided to make the change to a blog only site simply because it was much easier to update and much easier for the majority of the readers out there to view without the long wait. Plus I’ve decided that this site should finally live by a motto that I’ve always believed in: simplicity is sophistication.

The second and most important change is that Sojourn Foto has re-branded itself to concentrate primarily on my one true passion: Travel Photojournalism. Initially when Sojourn Foto was created, I had decided that while I loved travel photography, wedding photojournalism was the path that Sojourn Foto was headed towards in the future. However, after working as an assistant for two of Southern California’s top wedding photographers and covering a few weddings myself I decided that while I loved being a wedding photographer, my passion was still in travel photography and I could no longer deny that. It was a tough decision to re-brand Sojourn Foto but it’s one that I know is right because that’s where my heart truly belongs when it comes to taking photographs.

Now that doesn’t mean I plan to stop shooting weddings, other events and portraits forever. As a matter of fact you may see more of the aforementioned posted here than ever, it just simply means that my main focus will be on travel photography as I plan be more selective about which weddings, events and portraits I will shoot so that I can concentrate more on creating my own unique style of travel photography.

So what does the future hold for Sojourn Foto? Well as of now I can only simply tell you that I will be studying, learning and working hard to hopefully create a vision that will be unique to other travel photographers out there in an attempt to do what I’ve always wanted to do with my photographs: tell the story. And once I feel that I have reached a comfortable level, I plan to then publish my own photo book containing my best work in hopes of telling my story to the rest of the world. So with that said, keep an eye out for updates and I hope you enjoy the new Sojourn Foto!

Oh and before I go, I would like to introduce my new limited edition fine art series called “Portraits of an Apsara”. The first ever set was printed just this last month and auctioned off for charity at the 2009 Cambodian Heritage Camp for adopted Cambodian children this last July. Thankfully the series was a big hit with the families and hopefully that’s an indication of what’s to come in the future. If you’re interested in purchasing a set for yourself, each of the four 8×12 prints will come matted and framed in an 11×17 flat black frame and will be signed by myself and the dancer in the photos. The limited edition series will be limited to 100 framed and signed prints while non limited edition sets can be purchased as well but will only come as 4×6 prints in a 5×7 matte. Please contact me directly for more details.

Portraits of an Apsara